Length is the whole look
16 inches sits at the collarbone, 18 at the first button, 20 and up reads as a layer. Measure a chain you already love.
Built around the stone first, like everything in the studio. Nothing in the studio matches this exactly today, which is what commissions are for: we will build it around the stone. · 0 WORKS
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Before you choose
16 inches sits at the collarbone, 18 at the first button, 20 and up reads as a layer. Measure a chain you already love.
A single stone on a fine chain works every day; layers want mixed lengths two inches apart so they never tangle.
Under 1.2 mm kinks with daily wear. Ours start at 1.4 mm for anything carrying a stone.
Lobster clasps for security, slider bolos for one-handed dressing. We fit either at the same price.
The short answer
Infinity necklaces are made to commission at Made With Color: one artist, one bench, in New York. Ask and we will pull stones in daylight and send passports before you decide. The loop that has no end, crossed into a figure eight and worn as a quiet promise.
Built around the stone first, like everything in the studio. Nothing in the studio matches this exactly today, which is what commissions are for: we will build it around the stone. We choose every stone loose, in daylight, and every work above carries a passport that says exactly what it is.
The knot should sit centered; a stone at the crossing is the version we argue for.
16 inches sits at the collarbone, 18 at the first button, 20 and up reads as a layer.
Choose the chain length before the pendant. Measure a chain already loved.
Whatever the giver means by it: most say continuity, some say forever. The symbol carries the sentence so the card does not have to.
Ready-now works leave the studio within two business days, insured and signed for. Made to order pieces state their bench time on the page, most within three to four weeks.
Thirty days from delivery, in original condition, in the slate box. Resizing is free for life on rings, and any stone we set can be reset into a new mount as taste changes.
Low relief, nothing to catch. One of the safest daily motifs at the bench.
Kept for life
◆Cleaning and polishing◆Prongs tightened and retipped◆White gold re-plated◆Resizing◆Resetting into something newEvery page below is real: filtered from the works in the studio today, or an open invitation to commission the piece that is missing.
Client notes, unedited
“They talked me out of a bigger stone and into a better one. Who does that?”M. CHEN, SEATTLE · COMMISSION No. 114